Over the last few years, I have discovered the simple joys of the ukulele.
I had struggled for some years to learn the guitar, but failed to make a lot of progress, partly through the lack of musical instinct, but mostly through the failure to practice.
Several years ago a visiting friend bought my partner a soprano ukulele for a fiver in a local charity shop. She is an accomplished guitarist, but soon realised the possibilities of this ridiculous little instrument. It is very portable, it has only 4 strings and it can be played very quietly... perfect for picking out tunes without attracting too much attention.
The chord shapes are generally quite simple and it is comfortable to strum. Its size means it can be played in a confined space, even in the passenger seat of a car. Am I the only person who can enjoy live music on a long car journey?
Above all, you only have to take it out of its case and it raises a smile.

When I am out and about, I will always grab an opportunity to visit my luthier friend Steve Agnew. He has a fascinating workshop/studio in Pitscottie, a wealth of knowledge and advice, lots of beautiful stringed instruments... and cake! 
On my visits I have seen so many guitars, mandolins, bazoukis, and banjos in various stages of construction and completion so I was prompted to ask  "How difficult would it be for me to build a ukulele?"

The rest is history. I have now built several concert size ukuleles which, with one exception, are made from locally sourced timbers. All of them have been made from scratch, the only manufactured parts I have bought in are machine head tuners, strings, fretwire, nuts and saddles. Along the the way I have refined and simplified my bulding technique to give reliable results.
Two of these instruments are played regularly by my partner and I.
In 2017 I took on a commission for which my young customer chose the timber and designed the details of the top. This instrument has a spalted beech body, cherry neck and spine, ash top. Some precious family heirlooms were incorporated into it, including great grandfather's veneers and abalone shell from New Zealand... making it very individual.
In 2018 I was commissioned by a ukulele player in Lancashire, who had a wishlist of features in addition to my basic principle of local or recycled timber. His requests included... a Lancashire red rose, Lakeland slate fret markers, matchstick figures of his twin daughters, an inlay of quarrystone on the headstock... oh! and an appropriate quotation in Scots.
I managed them all in an instrument with sycamore sides, neck and spine, walnut top, recycled elm back, laburnam fretboard. and recycled mahogany as the red in the rose. The finished ukulele is shown below... the quote means "take care of the small things"
I have recently completed a commission for a player in Lancaster for an instrument in spalted beech and sycamore, with a cherry fretboard. The interesting quirk on this one, is the pierced headstock which sports a titanium earring! 
I have adopted a version of this quirk for my newest "Apple" uke, which appears below for sale.

Shown here are a selection of the instruments I have made over the last 3 years, all gone to new homes far and near. If you think you need a hand made ukulele in your life, I would be happy to discuss a commission. I will restrict myself to what I know... an 18 fret, concert size instrument made of native local timber (or recycled).  Your input would be on choice of timbers, position and shape of sound holes, individual inlays and design details, choice of strings, tuners, and any other variables you can think of. Price would start around £450.

"You can never have too many ukuleles" 
George Harrison


Recycled antique mahogany top.
Ripple ash fretboard and bridge.
Scottish elm sides and neck.
ANeue Blackwater flourocarbon strings.

Newburgh apple back and headstock veneer.
GraphTech 1:6 straight through tuners

This ukulele is now sold (6/10/20)


Fruit & Nut... 
Ash top with wave sound holes
Laburnum fretboard
Acrylic fret markers
Wild cherry bridge
Bone saddle and nut
Worth flourocarbon strings

Walnut body
Wild cherry neck
Lanika blue machine head tuners
Laser cut wave sound holes.


Oak top
Oak fretboard
Fret markers, leaf inlay and bridge made from crosscut oak whisky barrel staves
Bone saddle and nut
Worth flourocarbon strings

Oak body and neck
Waverley machine head tuners


Sycamore top
Laburnum fretboard
Acrylic fret markers
Laburnum bridge
Bone saddle and nut
Wild cherry leaf inlay
Worth flourocarbon strings

Ash body and neck
Schaller "Grand Tuner" machine heads

The Wardrobe Uke

Top, body and neck made from mahogany, recycled from an antique Georgian wardrobe
Bone saddle and nut
Savarez composite strings
Burr elm bridge

Laburnum fretboard
Alternate laser cut and abalone fret markers
Schaller "Grand Tuner" machine heads

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